Critique of Eisenstein’s theory of film, based on “Beyond the Shot” and “A Dialectic Approach to Film Form.”

Provide a critique of Eisenstein’s theory of film, based on “Beyond the Shot” and “A Dialectic Approach to Film Form.” What do you agree and disagree with? Use filmic example(s) to support your argument. Go beyond Battleship Potemkin in your discussion—since we already talked about that in class. Discuss other films, classic and modern, which exhibit the qualities you want to explore.